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Balint Karosi
United States
Приєднався 31 сер 2007
I am committed to provide unique experiences through my high quality recordings of pipe organ music to my viewers on UA-cam. I travel to some of the finest pipe organs in the world to play them and show each stop in a simple elegant way, by providing stop names and very simple explanations of the stops. My videos can be enjoyed by professional organists or anyone who doesn't have pipe organ expertise but wants to learn more about organ music.
František Brixi: Organ Concerto in F Major | Nicole Keller, Organ, Balint Karosi, Conductor Clarinet
About the Organ: www.thediapason.com/content/cover-feature-klais-fisk-organ-saint-peters-church-new-york-city
Support Balint : www.patreon.com/user?u=24379609&fan_landing=true
0:00 Introduction
0:25 I. Allegro
6:56 II. Andante (Version for clarinet by Balint K.)
12:37 III. Allegro
Tonight’s final concert opens with a splendid example of eighteenth-century Classical organ composition, giving us an opportunity to hear how the newly reborn Klais/Fisk instrument handles this fascinating area of the repertoire. František Xaver Brixi’s Concerto # 5 in F major for organ and orchestra was composed within two decades of the death of Johann Sebastian Bach in Leipzig, just 160 or so miles northwest of Prague, Brixi’s home base, but the distance between the Thomaskantor’s output and that of his younger contemporary is far vaster than either that geography or age difference might suggest. We are in what the experts call the “pre-Classical” world here, one which, not many years down the pike, will produce the mature Mozart-whose music was as beloved in Prague as was that of tonight’s composer.
Brixi was born in Prague in 1732. Like Bach, he came from a long line of musicians: his father, Simon, was a prominent composer, teacher, and church organist in Prague, and relatives in the countryside of Bohemia personified the following description: “In Bohemia itself, there were…so many skilled and outstanding musicians of all kinds, that it [was] possible, even in the countryside and often in the most insignificant towns, to gather together a considerable orchestra…” In the Brixi clan’s case this countryside was centered some 35 or so miles northeast of Prague, where Simon was born in 1683 (two years before Bach and Handel). When he died in Prague in 1735, his widow, also a product of that area, returned to her hometown and subsequently remarried; but the musical gene was already implanted in the three-year-old František, and at the age of 12 he was sent off to a monastery in the nearby (14 miles away) town of Kosmonosy, where the Piarist monastery had a well-developed musical tradition. Seven year later, in 1749, the young man was ready for the big time (he’d been described in school records as “felicissimus ingenii”-“the most fortunate talent”), and off he went to Prague.
Support Balint : www.patreon.com/user?u=24379609&fan_landing=true
0:00 Introduction
0:25 I. Allegro
6:56 II. Andante (Version for clarinet by Balint K.)
12:37 III. Allegro
Tonight’s final concert opens with a splendid example of eighteenth-century Classical organ composition, giving us an opportunity to hear how the newly reborn Klais/Fisk instrument handles this fascinating area of the repertoire. František Xaver Brixi’s Concerto # 5 in F major for organ and orchestra was composed within two decades of the death of Johann Sebastian Bach in Leipzig, just 160 or so miles northwest of Prague, Brixi’s home base, but the distance between the Thomaskantor’s output and that of his younger contemporary is far vaster than either that geography or age difference might suggest. We are in what the experts call the “pre-Classical” world here, one which, not many years down the pike, will produce the mature Mozart-whose music was as beloved in Prague as was that of tonight’s composer.
Brixi was born in Prague in 1732. Like Bach, he came from a long line of musicians: his father, Simon, was a prominent composer, teacher, and church organist in Prague, and relatives in the countryside of Bohemia personified the following description: “In Bohemia itself, there were…so many skilled and outstanding musicians of all kinds, that it [was] possible, even in the countryside and often in the most insignificant towns, to gather together a considerable orchestra…” In the Brixi clan’s case this countryside was centered some 35 or so miles northeast of Prague, where Simon was born in 1683 (two years before Bach and Handel). When he died in Prague in 1735, his widow, also a product of that area, returned to her hometown and subsequently remarried; but the musical gene was already implanted in the three-year-old František, and at the age of 12 he was sent off to a monastery in the nearby (14 miles away) town of Kosmonosy, where the Piarist monastery had a well-developed musical tradition. Seven year later, in 1749, the young man was ready for the big time (he’d been described in school records as “felicissimus ingenii”-“the most fortunate talent”), and off he went to Prague.
Переглядів: 566
Відео
Prelude and Fugue No. 2 on B-A-C-H by Balint Karosi | Pacific Lutheran University, Tacoma, WA
Переглядів 1,6 тис.День тому
Please support my work on patreon: www.patreon.com/user?u=24379609&fan_landing=true 0:00 Intro Info: theleupoldfoundation.org/product/karosi-balint-volume-7-four-preludes-and-fugues-on-b-a-c-h/ frittsorgan.com/opus_pages/galleries/opus_18/photo_gallery.html
Johann Melchior Molter: Clarinet Concerto No. 1 in A Major on Period Clarinet | Bálint Karosi
Переглядів 1,5 тис.4 місяці тому
0:00 I. Moderato 4:25 II. Largo 8:23 III. Allegro
1976 Klais - 2023 Fisk at Saint Peters Church in NYC - Demonstration of Stops
Переглядів 12 тис.4 місяці тому
Please support our campaign for the Future of Saint Peters here: www.future.saintpeters.org/organ More info: www.saintpeters.org/news/cover-diapason www.saintpeters.org/classical Upcoming Recital 2/13/2024 by Felix Hell: www.future.saintpeters.org/event www.thediapason.com/content/cover-feature-klais-fisk-organ-saint-peters-church-new-york-city
J. S. Bach: St Mark Passion | A Contemporary Reconstruction by Bálint Karosi | BWV 247
Переглядів 2,4 тис.5 місяців тому
The origins of Bach’s St. Mark Passion (BWV 247) go back to the Trauer-Ode (Lass, Fürstin, lass noch einen Strahl,” BWV 198), a funeral cantata written in 1727 for Electress Christiane Eberhardine of Saxony. Composed for a specific occasion, the Trauer-Ode was no longer of any practical use once it had been performed, so already in 1729, two years before the first performance of the St Mark Pa...
Benedictus | Missa Brevis HobXXII 7 “Orgelmesse" | Joseph Haydn Emily Hagens, Balint Karosi Clarinet
Переглядів 3,6 тис.5 місяців тому
This is the famous organ solo from Joseph Haydn's Mass in B-Flat Major, Hob. XXII:7 "Missa Brevis Sancti Joannis de Deo" I have decided to transcribe and play it on the clarinet. It has the perfect key for the Bb Clarinet and, honestly sound much better than an organ solo stop. It is a great addition to the limited clarinet-organ repertoire with solo voice. There is only a recently discovered M...
1728 Martin Zorkovský / Kögler Organ in Nitra, Slovakia | Demonstration of Stops
Переглядів 7 тис.6 місяців тому
Please support my work on patreon: www.patreon.com/user?u=24379609&fan_landing=true 0:00 Intro Info: www.orgelbau-koegler.at/referenzen/kathedrale_nitra/
The Great 1714 Gottfried Silbermann Organ at Freiberg Cathedral, Germany | Demonstration of Stops
Переглядів 38 тис.6 місяців тому
Please support my work on patreon: www.patreon.com/user?u=24379609&fan_landing=true 0:00 Intro 2:04 HW Principal 8'
1619 Edo Evers Organ in Osteel, Germany | one of the best-preserved Renaissance Organs in Germany!
Переглядів 14 тис.7 місяців тому
Please support my work on patreon: www.patreon.com/user?u=24379609&fan_landing=true 0:00 Intro 3:08 Krummhorn 8' 3:24 Principal 8' 4:04 Octave 4’ 10:42 Spitzflöte 4'
Historic Castilian organ from 1738 in Santoyo, Spain
Переглядів 16 тис.8 місяців тому
Please support Balint on Patreon: www.patreon.com/user?u=24379609&fan_landing=true Info about this organ: www.aaopalencia.org/iglesia-de-san-juan-bautista-santoyo/ 0:00 Intro 0:57 Flautado de 13 2:28 Octave 3:30 Docena 4:19 Quincena 5:20 Decinovena 6:06 Lleno 7:20 Cimbala 8:06 L.h.: Reeds R.h.: plenum 8:39 L.h. Plenum R.h.: Reeds 9:50 Clarín vs Clarinete 10:40 Violón (Gedackt) 11:06 Corneta 12:...
J. S. Bach: Herr Gott, Dich loben wir BWV 725 | Holy Cross, Worcester, MA
Переглядів 4,7 тис.10 місяців тому
J. S. Bach: Herr Gott, Dich loben wir BWV 725 | Holy Cross, Worcester, MA
Michael Praetorius: Nun Lob mein Seel den Herrn | 1619 Edo Evers | Oldest Renaissance Organ, Germany
Переглядів 8 тис.10 місяців тому
Michael Praetorius: Nun Lob mein Seel den Herrn | 1619 Edo Evers | Oldest Renaissance Organ, Germany
1790 Pažicky Organ in Mocenok, Slovakia | Improvisations on Stops | Georg Muffat: Toccata Septima
Переглядів 8 тис.11 місяців тому
1790 Pažicky Organ in Mocenok, Slovakia | Improvisations on Stops | Georg Muffat: Toccata Septima
J. S. Bach Recital Holy Cross, Worcester, MA Taylor & Boody Op. 9 BWV 564, BWV 531, BWV 667, BWV 530
Переглядів 6 тис.Рік тому
J. S. Bach Recital Holy Cross, Worcester, MA Taylor & Boody Op. 9 BWV 564, BWV 531, BWV 667, BWV 530
Taylor and Boody Op. 83 | Plymouth, Indiana | Weckmann: Magnificat Secundi Toni
Переглядів 9 тис.Рік тому
Taylor and Boody Op. 83 | Plymouth, Indiana | Weckmann: Magnificat Secundi Toni
Richards and Fowkes at Duke University Divinity School | Stop Demo | Thoughts about Registration
Переглядів 8 тис.Рік тому
Richards and Fowkes at Duke University Divinity School | Stop Demo | Thoughts about Registration
Dr. Bálint Karosi | Organ Recital at Duke Chapel | J. S. Bach: Toccata and Fugue in D Minor, BWV 565
Переглядів 12 тис.Рік тому
Dr. Bálint Karosi | Organ Recital at Duke Chapel | J. S. Bach: Toccata and Fugue in D Minor, BWV 565
J S. Bach: Meine Seele Erhebt den Herrn, BWV 733 | Fuga sopra il Magnificat | Balint Karosi
Переглядів 3,7 тис.Рік тому
J S. Bach: Meine Seele Erhebt den Herrn, BWV 733 | Fuga sopra il Magnificat | Balint Karosi
Widor: Symphony No. 6 Op. 42 - I. Allegro | Juget-Sinclair Op. 54 Richmond Cathedral | Balint Karosi
Переглядів 13 тис.Рік тому
Widor: Symphony No. 6 Op. 42 - I. Allegro | Juget-Sinclair Op. 54 Richmond Cathedral | Balint Karosi
J. S. Bach: Prelude and Fugue in C Major BWV 545 | Bálint Karosi | Mariager, Denmark Aubertin Organ
Переглядів 10 тис.Рік тому
J. S. Bach: Prelude and Fugue in C Major BWV 545 | Bálint Karosi | Mariager, Denmark Aubertin Organ
J. S. Bach: The Complete Organ Works No. 10 | Staunton, Virginia | Taylor & Boody Op. 24&34 BWV 548
Переглядів 6 тис.Рік тому
J. S. Bach: The Complete Organ Works No. 10 | Staunton, Virginia | Taylor & Boody Op. 24&34 BWV 548
Juget-Sinclair Op. 54 Choir Organ at Richmond Cathedrale | Stop Demo
Переглядів 16 тис.Рік тому
Juget-Sinclair Op. 54 Choir Organ at Richmond Cathedrale | Stop Demo
Arcangelo Corelli “La Follia”, Opus 5 | Heloise Degrugïllier, recorder | Bálint Karosi, harpsichord
Переглядів 4,8 тис.Рік тому
Arcangelo Corelli “La Follia”, Opus 5 | Heloise Degrugïllier, recorder | Bálint Karosi, harpsichord
J. S. Bach: Prelude & Fugue in A Major BWV 536 | Craighead Saunders Organ, Rochester | Balint Karosi
Переглядів 24 тис.Рік тому
J. S. Bach: Prelude & Fugue in A Major BWV 536 | Craighead Saunders Organ, Rochester | Balint Karosi
New Richards & Fowkes with buttery Principals | Ann Arbor, MI | Improvised Trio on “Allein Gott"
Переглядів 11 тис.Рік тому
New Richards & Fowkes with buttery Principals | Ann Arbor, MI | Improvised Trio on “Allein Gott"
Organ Improvisation on Psalm 68 | Pasi Organ Op. 28 | Heloise Degrugillier - Recorders & Krummhorn
Переглядів 6 тис.Рік тому
Organ Improvisation on Psalm 68 | Pasi Organ Op. 28 | Heloise Degrugillier - Recorders & Krummhorn
Mander Organ at St Ignatius Loyola in NYC | Demonstration of Stops | Bálint Karosi
Переглядів 24 тис.Рік тому
Mander Organ at St Ignatius Loyola in NYC | Demonstration of Stops | Bálint Karosi
Kodály Triptyque | III. Canonic Fanfare on "Fölszállott a Páva" | St Ignatius Loyola, NYC
Переглядів 6 тис.Рік тому
Kodály Triptyque | III. Canonic Fanfare on "Fölszállott a Páva" | St Ignatius Loyola, NYC
J. P. Sweelinck: Mein Junges Leben hat ein End | Positive in a Tiny Church, Nagyvázsony, Hungary |
Переглядів 17 тис.Рік тому
J. P. Sweelinck: Mein Junges Leben hat ein End | Positive in a Tiny Church, Nagyvázsony, Hungary |
Self-pumped 18th-Century style Positive Organ in Hungary | Stop Demo
Переглядів 19 тис.Рік тому
Self-pumped 18th-Century style Positive Organ in Hungary | Stop Demo
🏳️🌈🏳️🌈🏳️🌈♂️👍🙏🐉🦅🦋🙏 Amazing Music and Amazing organist 😏😉✨🌞✌️
What a magnificent instrument! I am a graduate of IU (Jacobs) Bloomington - I did the M.M. double major organ and church music degree. I don't play much anymore as I returned to my other field (electrical engineering). Please keep making beautiful music!
Beautiful ❤️❤️❤️❤️❤️🎶🎶🎶🎶🎶🎶🎶🎶🎶
De gyönyörű ,meghatő a mű és az interpretáció!
Wait, what?! OMG!!! (I’ve literally never seen or heard this instrument before. It makes logical sense, but had no idea it even existed)
Esecuzione perfetta, conduzione ineccepibile, musica molto bella anche se non condivido la scelta del compositore di dare spazio a un improbabile "collaborazione" tra organo e clarinetto. Invece bizzarra davvero la regia che, a un concerto per organo (e clarinetto), si è dimenticata di inquadrare l'organo e la sua organista, privilegiando immagini ravvicinate dell'orchestra e del suo conduttore (bravo!)
I'm happy to see a full church for this fine concert. Is Balint an organist, clarinetist, or conductor? Answer - he's a "classical" triple threat and we can be glad of it. From Chicago, U.S.A.
From Hartford, CT, and as a Church choral conductor, I heartily agree !
wonderful! jsb was also a respected and feared organ-tester, he would play these or other fugues or toccatas with all stops opened hence only the top organs and organists can truly reflect the musical genius whose prayers of JJ - Jesu Juva, accompanied each of his compositions, thanking God at the end with SDG 🙌
Nagyon szép, remek interpretacó ,stilus gratulálok,
Thank you all. What delightful music, beautifully performed.
KÖSZÖNÖM SZÉPEN.
beautiful music, beautiful performance
Now I know where your inspiration for that Prelude and Fugue came from!
Gets good towards that jazzy ending!❤
Grande Balint
That Fisk fellow knows what he is doing. Fantastic instrument. Very nice demonstration too! The stop tablets and their location is my favorite set-up because it is so easy to make changes on the fly without using pistons.
what an absolute beast! very cool.
A colourful and vibrant interpretation of this quite lenghty work. Gratulations!
Yay! Jeremy
this is awesome
Amazing!!
I really enjoyed your composition,,and thank you for posting your performance of it...
Stunning!... Come back to Durham (for some pasta) and perform this on the Flentrop!
Hm, I'm new here. I thought you explored historic organs. But this is something different. Could get interesting, as well...
Love the quality and clarity this recording has. The room is not fully dry as the desert but also not overwhelming, atleast in the recording 😊 really enjoyed the beginning with the flutes.
Great to hear!
うｐお疲れさまです(´ω`*) 録音が良いのか、いい音で聴くことができました。 ありがとうございました(´ω`*)ｂ
Follow you years ago😂
Sorry aber mir gefällt es nicht
😂 that ' s new expretionism by 4° armo ics😊. Far away Carozi😮 was a sacre musissisn.😢
Top gespeeld niet eenvoudig te doen groeten Hans uit Zwolle Nederland
he is talking in language that is understandable in C major
This place is magnificent. All I see every day is a concrete jungle.
my very soul struggles to stay together when i hear it
SPANISH ORGAN!!
Die Interpretation dieses Werks von Matthias Weckmann durch Balint Karosi auf der Hildebrandt-Orgel in Naumburg ist umwerfend.
Played exactly as if was an organ.
24:30 could you name me this piece?(if it is not your improvisation)
Die Orgel ist ja schön, aber ich höre immer nur dieselben Funktionen. Es wäre sicher von Vorteil, wenn größere Unterschiede auch stlistisch zu hören wären, manches auch besser auf die Einzelregister und ihre Aufgabe bezogen. Ich habe dann vorzeitig beendet.
What is the music?
I really enjoy the way he explains these stops and the combinations make perfect sense. Bach would have loved you as his student. Absolutely brilliant.
Hello, I played on a smaller Woehl organ (II+P, 18 stops) for many years. This small organ has a lot of octave couplings to make the tonal dimension appear much larger. The traction of the manuals is extremely fine and smooth. It was always a pleasure for me to be able to play the instrument.
A feel for the days of Bach. A great era!
Fantastic Organ.
Thank you for your wonderful performance! BWV 769a (autograph version)
Awesome!
Organista fantastico.
I like the positioning of the stops for the Ruckpositiv (I presume). I've never seen that before but it makes sense. Organ sounds great! Balint does the best organ demonstration videos.
Well played exceptional nice with those stop changes
The BWV 565 traditionally was composed on this organ. But how was this possible since C#1 is missing ???
Brilliant! Thank you!